TALK Design & Performance
Silencio
2016
Conversation between Emanuele Quinz (art and design historian), Eric Arnal- Burtschy (dancer and choreographer) et Aurelie Hoegy (designer)
Talk around the theme Design & Performance
Writing of the Manifesto Unobject by Aurelie Hoegy in collaboration with the design theorist Louise Schouwenberg.
Septembre 2016
Invitation by SILENCIO
Organization – Aurelie Hoegy
Presentation – Alix Deltour
The talk was given after Offset Dancers Performance in Silencio David Lynch’s club in Paris.
Subjects discussed:
New Perspectives on the Creative Process in Today’s Design.
Convergences between disciplines in contemporary artistic practices: from arts
plastics to music, from dance to design and from science to fashion.
The importance of a design that does not consider the object as static and inert (functional and aesthetic) but which seeks to understand and explore its dynamics through our behaviors and interactions in everyday life to bring out a new way of creation and new perspectives.
Confrontation with the reality of design (work with dancers, choreographers, an audience, etc.)
How to think “bodily” to give life to the conception of the design?
- INFOS
-
Conversation between Emanuele Quinz (art and design historian), Eric Arnal- Burtschy (dancer and choreographer) et Aurelie Hoegy (designer)
Talk around the theme Design & Performance
Writing of the Manifesto Unobject by Aurelie Hoegy in collaboration with the design theorist Louise Schouwenberg.
Septembre 2016
Invitation by SILENCIO
Organization – Aurelie Hoegy
Presentation – Alix Deltour - ABOUT
-
The talk was given after Offset Dancers Performance in Silencio David Lynch’s club in Paris.
Subjects discussed:
New Perspectives on the Creative Process in Today’s Design.
Convergences between disciplines in contemporary artistic practices: from arts
plastics to music, from dance to design and from science to fashion.
The importance of a design that does not consider the object as static and inert (functional and aesthetic) but which seeks to understand and explore its dynamics through our behaviors and interactions in everyday life to bring out a new way of creation and new perspectives.
Confrontation with the reality of design (work with dancers, choreographers, an audience, etc.)
How to think “bodily” to give life to the conception of the design?